Sharon Kivland
- exhibitions
- Reproductions II'13 (solo)
- I am sick of my thoughts'11 (solo)
- Sophisticated Boom Boom (in b&w)'10
- Time is a Sausage (A Show of Shows)'09
- Mes Fils'05 (solo)
- A Reader'03
- subscriptions & publications
- news
- sharonkivland.com
- DDAB, France
*1955 Germany
lives/works in Brittany, France and London
Sharon Kivland is an artist and writer working in London and France. Reader in Fine Art at Sheffield Hallam University, she is also a Research Associate of the Centre for Freudian Analysis and Research, London. She has exhibited widely in Europe and North America. Sharon Kivland has dreamt of Rome, been melancholy in Trieste, and had a disturbance of memory in Athens, which can be traced in the publications in the series Freud on Holiday (information as material and CUBEarteditions). Her next holiday book will be published in autumn 2013, after walking in Vienna and the Tyrol. She has recently completed a set of appendices to 'Freud's Holidays', on his weather, dining, hotels, and shopping. She forgot her shoes on the steps of the Freud Museum, London, and thought of witty remarks too late on the stairs of the Freud Museum, Vienna, events are recounted in 'L'esprit d'escalier' and 'An Agent of the Estate'. The flowers Freud did not send are recorded in 'Freud and the Gift of Flowers' (with Forbes Morlock), and she has commenced a series of modest pamphlets recounting the incidence of trains, stations, and related railway matters in the Freudian canon, entitled 'Reisen'. Earlier works were conceived in the grands magasins of Paris, where she retreated after walking the streets in pursuit of Marx and Freud, in the shadow of Lacan. She has described her practice as one of stupid refinement, trapped in archives, libraries, the arcades, and the intersection of publicpolitical action and private subjectivity. Recent works for exhibition include amateur watercolours, copied from memory from postcards; ink drawings on blotting paper, unsuccessfully copying buvards; photographs of the smoke of steam trains, the limpid waters of mountain lakes, and the snow on Alpine peaks; and painstaking sketches of women modelling lingerie. She paid her son an enormous amount of money to fill old school exercises books with the indexical references to mother/son relations in Freud's works, a work tiled 'Mes Fils' exhibited at the Freud Museum, London, in 2011. She is also working her way through the twenty novels of Zola's Rougon–Macquart cycle, while paying particular attention to a continued rewriting of Nana. At the moment she is eliminating horizons on old postcards of various kinds of sea views, having last year spoilt many postcards of Rome in her attempt to turn them into negatives, and embellishing rather grubby vintage collars of crochet, lace, cotton, with etiquettes declaring that 'je suis une petite charmeuse' (and she is, sometimes), associating these with some adorable stuffed squirrels.
- Education
- 2002: PhD History of Art Department, University of Reading, UK
- 1995: Masters: History of Art, Goldsmiths College, University of London
- Academic Appointments
- Researcher, Centre for Freudian Analysis and Research, London
- Reader in Fine Art, School of Cultural Studies, Sheffield Hallam University, UK
- Visiting Fellow, Institute of Germanic and Romance Studies, University of London
- Solo Exhibitions
- 2014: Cafe Gallery Projects (CPG), Bermondsey, London
- 2013: Galerie Bugdahn & Kaimer, Düsseldorf, Germany (october)
- 2013: Reproductions II, domobaal
- 2012: Ma Nana et autres filles (encore), Galerie des Petits Carreaux, Paris, France
- 2012: Un vent de revolution, Centre d'art Passerelle, Brest, France curated by Ulrike Kremeier
- 2011: I am sick of my thoughts, domobaal
- 2011: Reisen, three short films, Freud's Dream Museum, St Petersburg, Russia
- 2011: Reproductions, AMT project, Bratislava, Slovakia
- 2011: Sharon Kivland, amateur and collector, IDEAS Store, Whitechapel, London
- 2010: Mes plus belles, le Sphinx, Paris, France
- 2009: Quels seraient les meilleurs moyens de perfectionner l'éducation des femmes?, Frac Bretagne, Ciac Centre international d'art contemporain, Pont–Aven, France
- 2009: Reisen, Galerie Bugdahn & Kaimer, Düsseldorf, Germany
- 2008: A Wind of Revolution Blows, the Storm is on the Horizon, Chelsea Art Space, London
- 2008: Mon abécédaire, Sleeper, Edinburgh, UK
- 2008: Natural Education, Bast'art Contemporary, Bratislava, Slovakia
- 2006: La forme–valeur II, AKAU inc., Toronto, Canada
- 2005: La forme–valeur, Galerie du Cloître, ERBA, Rennes, France
- 2005: Ma Nana et autres filles, Atelier de Marcel Dinahet, Rennes, France
- 2005: Mes fils, domobaal
- 2004: Cela aura deéjà eu lieu, Centre d'art contemporain, Morsang–sur–Orge, France
- 2004: Flair, Bartlett School of Architecture, University College, London
- 2003: L'autre corps, Galerie Bugdahn & Kaimer, Düsseldorf, Germany
- 2002: Le bonheur des femmes, Centre Culturel, Ploufragan, Hôtel de Ville, Guingamp, Côtes–d'Armor, France
- 2001: Le bonheur des femmes, Galerie La Centrale, Montréal, Canada
- 2001: Le bonheur des femmes, Le Triangle, Rennes, France
- 2000: A View from a Distance, Harewood House, Leeds, UK
- 2000: Le bonheur des femmes, Portfolio, Edinburgh, UK
- 2000: Le bonheur des femmes, Galerie VU, Québec, Canada (Manifestation: Biennale internationale d'art contemporain)
- 2000: Mes Péripatéticiennes, The Economist Building, Contemporary Art Society projects, London
- 1999: Wigmore Fine Art, London
- 1999: La valeur d'échange, Centre d'art contemporain, Rueil–Malmaison, Paris, France
- Group Exhibitions
- 2013: Five Years, London
- 2013: Ulysses, l'autre mer: Celebrating 30 years of FRAC Bretagne, France, curated by Marcel Dinahet, Catherine Elkar and Jean–Marc Huitorel, Frac Bretagne, Rennes, Brittany, France
- 2013: Ulysses, l'autre mer: Celebrating 30 years of FRAC Bretagne, France, curated by Marcel Dinahet, Catherine Elkar and Jean–Marc Huitorel, Musée de compagnie des Indes, Lorient, Brittany, France
- 2013: Ulysses, l'autre mer: Celebrating 30 years of FRAC Bretagne, France, curated by Marcel Dinahet, Catherine Elkar and Jean–Marc Huitorel, Musée d'Art et d'Histoire de Saint–Brieuc, Brittany, France
- 2013: Resort, Transition, London
- 2013: Interdits au mineurs, Galerie des petits carreaux, Paris
- 2013: Anthology: a project conceived by Lucy Reynolds in 'Film in Space: an exhibition of film and expanded cinema', curated by Guy Sherwin, Camden Arts Centre, London
- 2012: Ghost IV: Presence and Absence, curated by Sarah Sparkes, St John on Bethnal Green, 200 Cambridge Heath Road, London
- 2012: A kind of "huh?" in collaboration with information as material, Médiathèque des Abattoirs, Toulouse, France
- 2012: Lessons in history vol. II Democracy, Grahame Gallery and Editions, Brisbane, Australia
- 2012: Sense of Place in Artist Books, curated by Karen Kinoshita, Architecture & Landscape Architecture Library, University of Minnesota, Minneapolis, USA
- 2012: Forget–me–not, Galerie Elika, Athens, Greece, curated by Supermina
- 2012: Making Space, Slade School of Art, London, curated by Patricia Townsend
- 2012: Surfaces: Works on paper, Sput+Nik Gallery, Lisbon, curated by Steve Perfect and John McDowall
- 2012: Tegel: Flights of Fancy, Kino Babylon, Berlin, Germany
- 2011: Encounters, Galerie Bugdahn & Kaimer, Düsseldorf, Germany
- 2011: Les paris sont faits, Freud Museum, London
- 2011: One–day wonder, Studio One, Valentines Mansions, London
- 2011: Project 101, The LAB, New York, USA
- 2011: Sequences, Johan Deumens, Haarlem, `The Netherlands
- 2011: Text and Image, Galerie Bugdahn & Kaimer, Düsseldorf, Germany
- 2011: Why do I keep reading the same books?, AMT project, Bratislava
- 2010: Afterwards, curated by Sharon Kivland, Mead Gallery, Warwick, UK/dd>
- 2010: elles@pompidou, Centre Pompidou, Paris, France, curated by Camille Morineau
- 2010: Reise, galerie Vox, Bergen, Norway
- 2010: Sophisticated boom–boom (in black and white), domobaal
- 2010: Super Farmer's Market, Handel Street Projects, London
- 2010: The Secret Library of Solihull, Solihull Gallery, Homer Road, Solihull, West Midlands, UK
- 2010: U235 Deuxième, La Collection, Enrichissements, 2008–2009, Centre des livres d'artistes, Saint–Yrieix–la–Perche, France
- 2009: Time is a Sausage, domobaal
- 2008: Parallax, Fieldgate Gallery, London
- 2007: Pages, in Special Collections, University of Leeds, UK
- 2007: Textual Healing, The Embassy, Edinburgh, UK
- 2007: Art Brussels with Galerie Bugdahn & Kaimer, Düsseldorf, Germany
- 2006: Sitting Room, an exhibition of contemporary artists' book, curated by Tom Sowden and Lucy May Schofield, Manchester Metropolitan Gallery, Manchester, UK
- 2005: Paris Photo with Galerie Bugdahn & Kaimer, Düsseldorf, Germany
- 2005: Diderot, Danielle Arnaud Gallery, London
- 2005: Erratum, SYMPRA, Stuttgart, Germany
- 2005: Focused listening, in 'Contact', Le Lieu Unique, Nantes, France
- 2005: In Arcadia, touring exhibition of artists' books
- 2005: Sommergästen, Galerie Bugdahn & Kaimer, Düsseldorf, Germany
- 2003: A Reader, domobaal, with Lucy Harrison, Nina Papaconstantinou
- 2003: Nature and Nation, Hastings Museum and Art Gallery, and tour
- 2003: Twenty four hours, The International 3 (aka The Annual Programme), Manchester, UK
- 2001: Centième, Editions Filigranes, Salon Paris Photo, Paris, France
- 2000: Jeux d'Amour, curators by Hybrid, Battersea Arts Centre and Wigmore Fine Art, London
- 2000: Loving at Home II, EdviksKonst och Kultur, Stockholm, Sweden
- 1999: Alliance Française, Lodz, Poland
- 1999: Flop, The French Institute, Edinburgh, UK
- 1999: Loving at Home, Centre for Freudian Research and Analysis, London
- 1999: Passion, Gasworks, London
- 1999: The Equinox, Cairn Gallery, Nailsworth, UK
- Public Collections
- The Arts Council of Great Britain
- The British Council
- The Contemporary Art Society
- The Creasey Collection
- London Borough of Camden
- The Usher Art Gallery, Lincoln
- Kettle's Yard, Cambridge
- FRAC Bretagne, France
- Penguin Books, UK
- Speck Collection, Germany
- V&A Museum, London
- TATE Library, special collections
- Chelsea College of Art, special collections
- Artist Books
- 2013: Reproductions III, subscription of twelve books sent out each month, domobaal editions
- 2013: Reproductions II, domobaal editions
- 2012: Reproductions I, subscription of twelve books sent out each month, domobaal editions
- 2012: Freud on Holiday, Appendix III Freud's Hotels, Information as Material, York
- 2012: Freud on Holiday, Appendix IV Freud's Shopping, Information as Material, York
- 2011: Freud on Holiday, volume III, The Forgetting of a Foreign Name, CubeartEditions, Athens, and INFORMATION AS MATERIAL, York
- 2011: Freud on Holiday, Appendix I, Freud's Weather, Information as Material, York
- 2011: Freud on Holiday, Appendix II, Freud's Dining, Information as Material, York
- 2011: La mer est si bleue, domobaal editions, London
- 2011: Le cri de la soie I, domobaal editions, London
- 2011: Le cri de la soie II, domobaal editions, London
- 2011: Le rouge baiser, domobaal editions, London
- 2011: Reisen II, Information as Material, York
- 2010: Reisen I, Information as Material, York
- 2008: A wind of revolution blows, the storm is on the horizon, Fashion: a glossary terms by Esther Leslie, illustrated by Sharon Kivland, Chelsea space, London
- 2008: An Agent of the Estate, Information as Material, York
- 2007: Freud on Holiday, A Disturbance of Memory, Volume II, Information as Material, York, UK, CubeArtEditions, Athens, Greece
- 2007: L'esprit d'escalier, Information as Material, York
- 2006: La forme valeur, domobaal editions, London
- 2005: Freud on Holiday, Freud dreams of Rome, Volume I, Information as Material, York
- 2004: Flair, domobaal editions, London
- 2004: Parisiennes, with Jeannie Lucas, Jean–Pierre Faur Editeur, Paris
- 2003: A Reader, with Lucy Harrison and Nina Papaconstantinou, domobaal editions, London
- 2003: William Markwick, The Property of a Gentleman 1768#8211;1770 Volume I, edited by Sharon Kivland, Hastings Museum and Art Gallery, UK
- 2002: Le bonheur des femmes, Filigranes editions, Trézélan
- 1997: Fascinum, with Shelagh Wakely and Michelle Naismith
- Monographs
- 2005: Cela aura deéjà eu lieu, Centre d'art contemporain, Morsang–sur–Orge, France
- 1999: La Valeur d'Echange, text by Jean–Marc Huitorel, Centre d'art contemporain de Rueil–Malmaison, France
- 1994: Aphonia, texts by Jean–Marc Huitorel, Christian Gattinoni, Sharon Kivland, Centre d'art contemporain de Saint–Fons, France
- 1993: Reading in the Dark, texts by Renée Baert, Forbes Morlock, Bruce Russell, with Cheryl Sourkes, Cambridge Darkroom
- 1992: A Bout de Souffle, text by Sharon Kivland and Claire Paquet, Dazibao, Montreal, Canada
- 1991: L'une sans l'autre, Texte de Sharon Kivland, Les Ateliers Nadar, Marseille
- 1991: The Fire of Tongues, texts by Charles Barber, Wendy Dawe, Julie Harboe, Ben Hillwood–Harris, Conrad Leyser, Ikon Gallery
- 1990: The Forms of Construction/The Abandonment of Origins, with Ben Hillwood–Harris, Stoke City Art Gallery, Museum/Mappin Art Gallery, texts by the artists and Michael Tooby
- 1989: The Remains of Intention, Textes des artistes et de Alison MacLeod, Watermans Arts Centre
- 1987: A Trouble Shared, Kate MacFarlane, Riverside Studios, London
- 1987: The Conversion of Pleasure into Sickness, Marc Chaimowicz, Hilary Gresty, Kettle's Yard, Cambridge
- Group Publications
- 2011: Crux desperationis, Riccardo Boglione, Montevideo and UBUWEB
- 2011: Interviews with Artists Enquiries and Solutions, Recordings 2011, Nicholas James, London: CV Publications
- 2011: La Passante, Jane Rendell, Site–Writing, London: I.B. Taurus
- 2004: Nation and Nature: Vaster than Empires, London and Hastings
- 2000: Jeux d'Amour, Hybrid
- 2000: RDM10, La Bibliotheque Nationale, Paris, curated by Roberto Martinez
- 1998: Body and Photography, Prague House of Photography, edited by Martina Pachmanová, France
- 1996: Clio, limited edition multiple, Serpens Foundation, Prague
- 1996: Dialect, text by Neil Beggs, Andrew Hubbard, Rome, Italy
- 1996: DuSoMacLalanKiPonBruHu, Centre d'art contemporain de Saint#8211;Fons, France
- 1996: Last Out, Lights Out, limited edition multiple, Stephen Cornell
- 1996: Mauvais genre, Texte de Jean#8211;Marc Huitorel, Mois de la Photo, Reims, France
- 1995: Desiring Practices, Black Dog Publications, London
- 1995: In Vino Veritas, limited edition multiple, The British School at Rome, Italy
- 1995: Wellspring, Bath Arts Festival, Antonia Payne, artists
- 1993: En Scene, W139, Amsterdam, collection of texts and images by 25 artists
- 1993: Public/Private: Secrets must circulate, Alain Reinaudo, Stills Gallery /French Institut, Edinburgh, texts by Christine Buci–Glucksman, David Hopkinson, Hilary Gresty
- 1992: Inádits de Sájour, IAPIF, Rágis Durand, Paris
- 1992: Rose, Wise/Taylor Partnership, London
- 1992: Summer Lightning, Wise/Taylor Partnership, London, artists texts and images
- 1991: Corriger les Lieux, après la photographie de voyage, Editions Trois, Montreal
- 1991: The Centre of the World, texts by Charles Barber, Stephen Foster, Sharon Kivland, John Hansard Gallery, UK
- 1990: Artists at the British School at Rome, 1980–90, London
- 1990: Next Phase, Ian Jeffries, Wise/Taylor Partnership, London
- 1990: The British School at Rome: Mostra, Catherine Lampert, Rome, Italy
- 1989: Anima Mundi, Martha Langford, Canadian Museum of Contemporary Photography, London
- 1989: It's a Still–Life, Isobel Johnstone, Roger Malbert, South Bank Centre, London
- 1988: Metamorphosis of the Image, John Stathatos, Biennale of Photographie, Athens, Greece
- 1988: The Consumption of Elements, Chisenhale Gallery, London
- 1988: The Consumption of Elements, Chisenhale Gallery, London
- 1988: The Subversive Stitch, Pennina Barnett, Cornerhouse, Manchester, UK
- 1987: TWSA/3D, Richard Cork, James Lingwood, London
- 1986: New British Sculpture, Iwona Blazwick, Air gallery, London
- 1986: Objects as Art, Susan Butler, Rosy Greenlees, Plymouth Ars Centre, UK
- 1986: The Illuminations, Sharon Kivland and artists, Camerawork, London
- 1985: Revisions, Pavel Büchler, Cambridge Darkroom, UK
- 1982: Houses and Homes, Lewis Biggs, Paul Graham, Arnolfini Gallery, UK
- 1982: Strategies, Rupert Martin, The British Council
- 1992: Summer Show III, Richard Francis, Serpentine Gallery, London
- 1980: Photography as Medium, Teresa Gleadowe, The British Council
- Press
- 2006: Capital and Pedestal, Gary Dault, in Toronto Globe & Mail, March
- 2005: Mother Tongue, Jaspar Joseph–Lester, in The Internationaller
- 2005: Questions on post–feminism in the work of Sharon Kivland, Christian Gattinoni, in www.exporevue.com
- 2000: Flop, Susanna Beaumont, in The List, 7 – 20 January
- 2000: The Scent of a Woman, Between Flesh and Breath, Jane Rendell, in Portfolio Issue 31
- 1999: Rites de Passage, Christian Gattinoni, in Arts Croisés, n.11, April
- 1999: Sharon Kivland, A Case of Hysteria, Hugh Stoddart, in Contemporary Visual Arts, December
- 1999: Sharon Kivland, A Case of Hysteria, Cathy Courtney, in Art Monthly, July
- 1998 – 1999: A Painted Picture which never captures the subject, Sharon Kivland/Jeanne Randolph, Tessera: seductive feminisms, vol.25, Winter
- 1998: Critical Interventions: Evil, Dave Burrows, in Art Monthly, June
- 1998: Sinthome, Cathy Courtney, in Art Monthly, September
- 1998: The School for Lovers, Timothy Martin, in Portfolio, November
- 1997: Artists as Curators, Claire Doherty, in Artists Newsletter, March
- 1997: Des Femmes at de la Propriété, Sylvie Friedman, in Le Trégor, July
- 1997: Sharon Kivland, Mes Folies, Jean–Marc Huitorel, in Art Press, November
- 1996: Dialect, Augusto Pieroni, in Artel 47, June
- 1996: La Passante, Cathy Courtney, in Art Monthly, January
- 1996: Letters of the Blind, Aoife MacNamara, in Parachute, April
- 1996: Mauvais Genre, Dominique Baqué, in Art Press, July
- 1995: La Passante, Tim Anstey, in The Architectural Review, October
- 1994: Aphonia, Lise Guéhenneux, in Blocnotes, May
- 1994: Je sais bien, Caryn Faure Walker, in Art Monthly, June
- 1993: Jeu d'esprit, Rene Van Peer, Eindhoven, September
- 1993: L'attente… l'oubli, John Stathatos, in Untitled, Summer
- 1993: Summer Lightning, Renée Baert, in Parachute, February
- 1992: Cartes de Séjour, Lise Guéhenneux, in Revolution, 14 May
- 1992: Inédits de Séjour, Ami Barak, in Art Press, June
- 1992: Inédits de Séjour, Michael Guilloux, in L'Humanité, 13 May
- 1992: L'art fait halte en banlieue, Elisabeth Lebovici, in Libération, 26 May
- 1992: Reading the glass, Cathy Courtney, in Art Monthly, September
- 1992: Rose, Sacha Craddock, in The Guardian, January
- 1992: Rose, in Building Design, February
- 1992: Sharon Kivland: Field of Dreams, Michael Archer, in Art Monthly, April
- 1992: Summer Lightning, Ami Barak, in Art Press, November
- 1992: Summer Lightning, Sarah Kent, in Time Out, July
- 1991: Anima Mundi, Elizabeth Beauchamp, in Edmonton Journal, October
- 1991: Corriger les lieux, Sylvain Campeau, in Parachute, November
- 1991: L'une sans l'autre, Angelique Schaller, in La Marseillaise, November
- 1991: Sharon Kivland: The Fire of Tongues, Robert Burstow, in Perspektief, October
- 1991: Sharon Kivland: The Fire of Tongues, Ivan Gaskell, in Creative Camera, June
- 1991: Sharon Kivland: The Fire of Tongues, Ann Cullis, in Women Artists Magazine, May
- 1990: Anima Mundi, Andrea Kunard, in ETC, Montreal
- 1990: Next Phase, David Lillington, in Time Out, June
- 1990: Sharon Kivland: Je me souviens, Lorenzo Buj, in Parachute, July
- 1990: Sharon Kivland: The blind daughter, Rose Jennings, in City Limits, January
- 1989: Art, Queen, and Country, Jonathan Watkins, in Art International, Spring
- 1989: Sharon Kivland : The consumption of elements, Caryn Faure Walker, in Artscribe International, February
- 1989: The Remains of Intention, Mark Currah, in City Limits, April
- 1989: The Remains of Intention, Emmanuel Cooper, in Time Out, April
- 1998: Sharon Kivland: Artist as Curator, Jonathan Watkins, in Art Monthly, December