Ailbhe Ní Bhriain

Ailbhe Ní Bhriain 'The Passenger (1)' 56×86cm (presented in a beech box frame) 2015, Pigment Baryta Print, clarity museum glass, edition 10. RHA, Dublin, installation view, November 2015

The Passenger (1)

Photograph, Pigment Baryta Print from a series of eleven prints, 56×86cm (presented in a beech box frame) 2015, clarity museum glass, edition 10; RHA, Dublin, installation view, photograph by Mike Hannon Media, November 2015.

This photographic series combines imagery from four disparate sources: neoclassical sculpture, West of Ireland landscapes, found images and the studio setting. In contrast to the video work, the processes here are quick and playful, using simple collage techniques to surprise the imagery into a new and permeable series of connections. There is an attempt to collapse the binaries and conventions suggested by the source imagery, to reveal the representational and cultural constructs at play. But there are also recurring motifs across the series, which suggest the imposition of an alternative, if obscure, continuity or meaning. The work takes its title from the Nabokov short story 'The Passenger'. In the story a seemingly dramatic plot is built and is then exposed as a series of disconnected details, conflated briefly in the imagination. In these prints the device of both presenting and taking apart the props of narrative is used to test how we read an image, leaving the viewer to, in Nabokov's phrase 'notice and fondle details'.

'The Passenger' series on